New Pornographers will release a limited color splatter vinyl of their release Brill Bruisers. New Pornographers is one of my favorites because it's AC Newman, Neko Case & Dan Bejar (Destroyer)! Out 8/25/14.
Interpol is back! Just put Turn on the Bright Lights to remind
yourself how much you love that band. Their new release, El Pintor
will be available to indie stores in a limited-edition white vinyl that
includes a digital download. Due 9.9.14
GRMLN's Soon Away will be available on blue vinyl. Only 250 copies will be pressed this way! Out 8/20/14.
My Brightest Diamond This Is My Hand will have a limited-edition red vinyl available 8.20.14
Thursday, July 31, 2014
Thursday, July 17, 2014
Seattle in-store Saturday July 19 -- BLOOPER!
Come hang with Blooper Saturday July 19 @ 6 p.m.! They'll be playing at our Seattle store 1520 10th Ave.
Here's what Emily Nokes said about them in a recent Stranger issue:
"Blooper reminds me of the first gulp of catchy rock n' roll someone's way cool older brother played when summers were suddenly about complicated social interactions and discovering what makes the opposite-sex tick."
Their most recent release is an ep called So Very Small.
Come on down!
Here's what Emily Nokes said about them in a recent Stranger issue:
"Blooper reminds me of the first gulp of catchy rock n' roll someone's way cool older brother played when summers were suddenly about complicated social interactions and discovering what makes the opposite-sex tick."
Their most recent release is an ep called So Very Small.
Come on down!
Monday, June 9, 2014
In-Store Performance Seattle = NO
NO
Performing in-store at the Seattle Everyday Music
1520 10th Ave
Saturday June 14 @ 3 p.m.!
After a spate of personal misadventures in 2010, NO was born through the chance encounter of Bradley Hanan Carter and Sean Daniel Stentz at a local LA diner. Bonding over stories of disastrous relationships as well as their mutual admiration for storytelling artists like Leonard Cohen, Bill Callahan, Johnny Cash and Lou Reed, the two decided to unite and build something for themselves.
Native New Zealander Carter states, “We wanted something to believe in. It sounds kind of dramatic, but there was really nothing to wake up for at the time.” This came at a stage when he found himself divorced, bankrupt and experiencing a new kind of alone after deciding to walk away from the lifelong religious beliefs of many friends and family back home. “I think for some of us, we’ve been so worried about where we’ll go when we die, that we’ve never really thought about where we should go while we’re still alive.”
Fast forward a few months, add in more like-minded band members and NO was on the way to being fully formed.
NO quickly gained recognition with the local Echo Park crowds, and both NME and the LA Times tipped them as an act to keep a close eye on. 2012 saw them wrack up over 100 live shows, including supports for Best Coast and Electric Guest, and a European tour with Father John Misty.
Performing in-store at the Seattle Everyday Music
1520 10th Ave
Saturday June 14 @ 3 p.m.!
After a spate of personal misadventures in 2010, NO was born through the chance encounter of Bradley Hanan Carter and Sean Daniel Stentz at a local LA diner. Bonding over stories of disastrous relationships as well as their mutual admiration for storytelling artists like Leonard Cohen, Bill Callahan, Johnny Cash and Lou Reed, the two decided to unite and build something for themselves.
Native New Zealander Carter states, “We wanted something to believe in. It sounds kind of dramatic, but there was really nothing to wake up for at the time.” This came at a stage when he found himself divorced, bankrupt and experiencing a new kind of alone after deciding to walk away from the lifelong religious beliefs of many friends and family back home. “I think for some of us, we’ve been so worried about where we’ll go when we die, that we’ve never really thought about where we should go while we’re still alive.”
Fast forward a few months, add in more like-minded band members and NO was on the way to being fully formed.
NO quickly gained recognition with the local Echo Park crowds, and both NME and the LA Times tipped them as an act to keep a close eye on. 2012 saw them wrack up over 100 live shows, including supports for Best Coast and Electric Guest, and a European tour with Father John Misty.
The six piece are now looking forward. Newly signed to tastemaker record label Arts &
Crafts, NO have just finished their self-produced debut album “El Prado," mixed by Billy Bush (Tegan & Sara, Foster The People, Jake Bugg) and mastered by Joe LaPorta (Beach House, Foo Fighters, Vampire Weekend).
NO is Bradley Hanan Carter (Vocals), Sean Daniel Stentz (bass), Reese Richardson (guitar), Ryan Lallier (guitar/keys), Simon Oscroft (guitar) and Michael Walker (drums)
Crafts, NO have just finished their self-produced debut album “El Prado," mixed by Billy Bush (Tegan & Sara, Foster The People, Jake Bugg) and mastered by Joe LaPorta (Beach House, Foo Fighters, Vampire Weekend).
NO is Bradley Hanan Carter (Vocals), Sean Daniel Stentz (bass), Reese Richardson (guitar), Ryan Lallier (guitar/keys), Simon Oscroft (guitar) and Michael Walker (drums)
Thursday, June 5, 2014
Tuesday, June 3, 2014
Indie Exclusives - Parquet Courts & Passenger
Monday, May 5, 2014
Upcoming Indie Exclusives! Sharon van Etten, Ben Frost, Popstrangers
May 27 will see some indie-store only, limited-edition vinyl:
Ben Frost "A U R O R A" colored vinyl with bonus cd. Limited pressing of 500
Popstrangers Fortuna on clear colored vinyl w/digital download. Limited to 200 pressings
Sharon Van Etten Are We There
Clear colored vinyl, limited to 300!
Ben Frost "A U R O R A" colored vinyl with bonus cd. Limited pressing of 500
Popstrangers Fortuna on clear colored vinyl w/digital download. Limited to 200 pressings
Sharon Van Etten Are We There
Clear colored vinyl, limited to 300!
Monday, April 28, 2014
Survival Knife in-store in Seattle!
Survival Knife in-store performance May 17 @ 3 p.m.! Loose Power out April 19 on cd & lp.
When Justin Trosper and Brandt Sandeno began work on what
would become their incredibly influential band Unwound, they were young punks making noise in basements in Olympia
at the cusp of the grunge age of the early '90s.
Their legacy of feedback,
ennui, and all-ages shows would inspire fervor and joy for the band's entire
lifespan, and echoes of their angular basement punk would be heard in the
ripples of independent music for years following their disbandment. Though
Sandeno's involvement in Unwound came just at the beginning and end of the
band, he and Trosper stayed friends and collaborators on different projects
throughout, and Survival Knife see the two founding members of Unwound
continuing to the next phase of creative work together. Now a good decade after
the last Unwound studio album, Survival Knife don't aim to recapture the urgent
squall of those mid-'90s days, but instead approach debut album Loose Power with a compositional lens
more muscular and pushy than tormented or inward-looking. For one, Sandeno, who
began as Unwound's drummer, instead joins Trosper on second guitar, leaving the
rhythm section to Kris and Meg Cunningham.
There are some apparent subtleties
that amount more to being Trosper's signature sounds than aiming for the sounds
of the past. Still, the airy guitar blasts that make up the chorus to "Cut
the Quick" and the edgy dynamics that find the songs moving from muted,
mumbled lyrics into full-on howling all call back to Unwound's best moments.
The songs here, however, are harder, more direct, and less interested in dreamy
guitar breakdowns or youthful screaming. The grizzled howls and fantastical
dual-guitar intro of "Roman Fever" has more of a hard rock approach
than anything resembling '90s punk, and album closer "Heaven Has No Eyes"
stretches out in a sprawl of almost proggy proto-metal chunkiness and
time-signature shifts. The song, much like the album, only hints at its
creators' musical histories. Loose Power
sees some of the better minds in the heavier side of indie rock's legacy
branching out into grittier, gnarlier territory and turning in some inspired,
crushing tunes in the process. ~ Fred Thomas, Allmusic
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